Description
Capture Time, part 2
Artavazd Ashoti Peleshyan (born February 22, 1938 in Leninakan) is an Armenian director of film-essays, a documentarian in the history of film art, and a film theorist. He is renowned for developing a style of cinematographic perspective known as distance montage, combining perception of depth with oncoming entities, such as running packs of antelope or hordes of humans. In the words of the filmmaker Sergei Parajanov, Peleshyan is "one of the few authentic geniuses in the world of cinema". He was named Renowned Master of the Armenian SSR Arts in 1979.
His films are on the border between documentary and feature, somewhat reminiscent of the work of such avant-garde filmmakers as Bruce Conner, rather than of conventional documentaries. However, his work, unlike Maya Deren's, is not avant-garde, nor does it try to explore the absurd. It is also not really art for art's sake, like the work of Stan Brakhage, for instance, but is generally acknowledged, rather, as a poetic view of life transferred onto film.
Artavazd Ashoti Peleshyan (born February 22, 1938 in Leninakan) is an Armenian director of film-essays, a documentarian in the history of film art, and a film theorist. He is renowned for developing a style of cinematographic perspective known as distance montage, combining perception of depth with oncoming entities, such as running packs of antelope or hordes of humans. In the words of the filmmaker Sergei Parajanov, Peleshyan is "one of the few authentic geniuses in the world of cinema". He was named Renowned Master of the Armenian SSR Arts in 1979.
His films are on the border between documentary and feature, somewhat reminiscent of the work of such avant-garde filmmakers as Bruce Conner, rather than of conventional documentaries. However, his work, unlike Maya Deren's, is not avant-garde, nor does it try to explore the absurd. It is also not really art for art's sake, like the work of Stan Brakhage, for instance, but is generally acknowledged, rather, as a poetic view of life transferred onto film.
| Author(s) | Artavazd Peleshyan |
| Language(s) | Russian |
| Publisher(s) | Tigran Mets |
| Year | 2016 |
| Pages | 417 |
| Binding | hardcover |
| Printing | Black & White |
| Size | 17 x 22 cm |
| ISBN | 9789994107209 |